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This article presents the discography of the jazz saxophonist and band leader John Coltrane (September 23, 1926 – July 17, 1967). == Introduction == Coltrane participated in his first recording sessions while enlisted in the Navy from August 6, 1945, to August 11, 1946.〔''John Coltrane: His Life and Music,'' Lewis Porter, p. 37. (1998, University of Michigan Press)〕 He performed eight numbers in a pickup band that included trumpeter Dexter Culbertson.〔''John Coltrane: His Life and Music,'' Lewis Porter, pp. 43-45. (1998, University of Michigan Press)〕 These were private recordings not made for official release. However, one track from the session, "Hot House", eventually appeared on the 1992 compilation ''The Last Giant: The John Coltrane Anthology.''〔''John Coltrane: His Life and Music,'' Lewis Porter, pp. 308, 340. (1998, University of Michigan Press)〕 There are conflicting sources as to whether he made his first professional recording session with Dinah Washington: Jazzdisco.org〔(Jazzdisco.org )〕 lists the session as September 27, 1949 in New York City, but Lewis Porter's ''John Coltrane: His Life and Music'' states that he was on tour with the Dizzy Gillespie Big Band during that time.〔''John Coltrane: His Life and Music,'' Lewis Porter, p. 345. (1998, University of Michigan Press)〕 Most sources confirm that he recorded with Billy Valentine on November 7 in Los Angeles for Mercury Records. In subsequent years, Coltrane sat in on recording sessions with Gillespie, Johnny Hodges, Earl Bostic, and Gay Crosse. In September 1955, Coltrane joined the Miles Davis Quintet〔''John Coltrane: His Life and Music,'' Lewis Porter, p. 95. (1998, University of Michigan Press)〕 and appeared on several Miles Davis-led recordings, including '''Round About Midnight'' and ''Milestones''. He briefly joined Thelonious Monk in May 1957, and their handful of recordings together have been collected on albums such as 1961's ''Thelonious Monk with John Coltrane''. In 1958, he rejoined Davis' band and stayed until April 1960; during that time he participated in the 1959 ''Kind of Blue'' sessions. In April 1957, he signed a contract with Prestige Records; it is unclear if this was a two-year deal or a one-year contract plus a one-year option.〔''Chasin' The Trane'', J.C. Thomas, p. 91 (1975, Doubleday): "The designated two-year period may have also been a one-year contract plus a one-year option, too, but no one seems to know for sure."〕〔''Coltrane: The Story of a Sound,'' Ben Ratliff, p. 34. (2007, Farrar, Straus and Giroux): "The contract, dated April 9, 1957, was for peanuts: $300 per album, and three albums a year."〕 Many of Coltrane's recordings for Prestige could be classified as "sideman" recordings and informal jam sessions (or "blowing sessions", in the then-current terminology). He also made his first albums as a group leader, including his 1957 debut, ''Coltrane''. That same year, Prestige allowed him to fulfill a promise that he would make an album for Blue Note,〔''John Coltrane: His Life and Music,'' Lewis Porter, p. 127. (1998, University of Michigan Press): "Just a few months after ''Coltrane'', the Blue Note label got special permission from Prestige to produce the second album under John's leadership."〕 leading to 1957's ''Blue Train''. After Coltrane gained prominence in the early 1960s, Prestige reissued a number of Coltrane's sideman and jam sessions under his name to capitalize on his success. ''The Prestige Recordings'' collects all of Coltrane's recordings for Prestige with the exception of his sideman work with Davis. When his Prestige contract expired, Coltrane signed a two-year contract (one year, plus a one-year option) with Atlantic Records in April 1959.〔''Chasin' The Trane,'' J.C. Thomas, p. 114 (1975, Doubleday)〕〔''John Coltrane: His Life and Music,'' Lewis Porter, p. 140. (1998, University of Michigan Press)〕 He was the leader of all of these sessions except ''Bags and Trane'' and ''The Avant-Garde'', where he was featured with Milt Jackson and Don Cherry respectively. Albums from this period include ''Giant Steps'' and ''My Favorite Things''. The ''Heavyweight Champion'' box collects his recordings for Atlantic, including all known outtakes. Coltrane became the first artist to sign with the new Impulse! Records when it bought out his Atlantic contract in April 1961.〔''John Coltrane: His Life and Music,'' Lewis Porter, pp. 190-191. (1998, University of Michigan Press)〕 He would record for the label until the end of his life, and his success earned Impulse! a reputation as "The House That Trane Built".〔''The House that Trane Built: The Story of Impulse Records,'' Ashley Kahn. (2006, W.W. Norton)〕 Albums from this final period include the live album ''Live at Birdland'', ''A Love Supreme'', and ''Ascension''. All of the companies Coltrane worked with during his lifetime have compiled and reissued his material. In addition, Impulse! has issued several previously unreleased live recordings, including ''Live in Japan'' and ''The Olatunji Concert: The Last Live Recording''. Coltrane's concert, television and radio performances generated dozens of unauthorized and bootleg recordings. Pablo Records, a label that specializes in live recordings,〔(Pablo Records page )〕 purchased rights to several tapes of his performances,〔''Norman Granz: The Man Who Used Jazz for Justice,'' Tad Hershorn, p. 368. (2001, University of California Press)〕 and is therefore considered a legitimate source despite never signing him to its label. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「John Coltrane discography」の詳細全文を読む スポンサード リンク
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